REVIEW: Miami University Theatre’s One Acts Explore Gender Roles
‘How do we wield power and who becomes subjugated under it? What does it mean to literally or metaphorically “murder” someone?’
March 8, 2025
‘How do we wield power and who becomes subjugated under it? What does it mean to literally or metaphorically “murder” someone?’
If you love horror, psychological thrillers, and love to feel scared then this Macbeth is the show for you.
This “Macbeth” is definitely worth a watch if you are a fan of a disturbing sort of Kubrick-esque feel, a smart integration of theatre and
“Kimberly Akimbo” thrills audience members looking for a feel-good, comical performance. If you want to spend an evening with loved ones laughing and reminiscing on
“Kimberly Akimbo” is a purely original show and a showcase of theatre as its own art form. It’s not trying to act like a movie.
Local 12’s Bob Herzog gives off a bit of a Jim Carrey vibe in his interpretation of the Cat which is fun and highly entertaining.
The story of The Cat in the Hat, originally written by Dr. Seuss and published in 1957, has a plot as simple as this: Two
Xavier’s Pippin is more than just a musical—it’s an exploration of human longing. It is, in every sense, a journey worth taking.
The University of Cincinnati College-Conservatory of Music’s (CCM)production of Hair is an electric, visceral celebration of the spirit of rebellion and hope. Directed with a thoughtful hand by Vincent DeGeorge, this staging of the iconic rock musical pulses with life, protest, and communal energy—reminding us that the questions raised in 1968 haven’t lost their sting.
CLP regulars, Cian Steele (Robbie), Trey Finkenstead (Sammy) and Tyler Gau (George) create the perfect trio whose lighthearted antics keep audiences enthralled in a story that they already know well.
In short, The Wedding Singer is a glittery, feel-good romp through a hairspray-filled time capsule—and this Incline Theatre production delivers it all with flair, fun, and a whole lot of love.
