Covedale Rings in Seldom Produced â€œMeet Me In St. Louisâ€
Review by Nathan Top of “Meet Me in St. Louis”: Covedale Theatre
Based on the 1944 film starring Judy Garland, â€œMeet Me In St. Louisâ€ is a time capsule of a show, with the book by Hugh Wheeler and a score built out of the classic American songbook by Hugh Martin and Ralph Blane. Set in the frictionless world ofÂ St. Louis, Missouri in 1903, the story revolves around the lives of the Smith family, focusing on second oldest daughter Esther and her will-they-wonâ€™t-they relationship with the charming boy-next-door, John Truitt. Each member of the Smith family has their own sitcom-esque storylines as the show breezes through the year leading up to the 1904 Worldâ€™s Fair.Â
Director and choreographer Dee Anne Bryll brings this nostalgically vibrant world to life, with several fast-paced and sometimes appropriately goofy choreography (specifically for â€œUnder the Bamboo Treeâ€). The period costumes designed by Caren Brady are not only attractive to see but also build the world of 1904 as a vibrant yet sophisticated time. The skeleton framework set of the Smith home was cleverly designed by Brett Bowling and not only allows the audience to see through the world of the show but also view the pit musicians upstage. During the Act One finale â€œThe Trolley Song,â€ a large trolley rolls on stage and spins around, creating a particularly enthralling visual effect. Music director Ryan Henrich has created a clean show sound with both the cast and the pit. The exposed trumpet solo during the dancebreak of â€œA Touch of the Irishâ€ was a highlight of the show.Â
Since the main plot is a near obstacle-less courtship between two high school steadies, there is potential for the show to stall or drag through several parts of the show. Fortunately, the magnetic cast grabs the audienceâ€™s attention from the opening. The leading lady Esther, played by sultry-voiced Sydney Kline, begins the show with the simple and beautiful ballad â€œThe Boy Next Door.â€ Kline continues to delight the audience with her other features,Â including an extended solo on â€œThe Trolley Songâ€ and the classic â€œHave Yourself A Merry Little Christmas.â€Â
opposite Kline is the handsome Matthew Gretz, who plays Estherâ€™s love interest John Truitt. Their chemistry is palpable and fills the courtship scenes and drives the story to the inevitable conclusion. Talia Zoll and John Langley play the matriarch and patriarch
of the Smith household, Anna and Alonso, who compassionately capture the meaningful challenge of raising five strong-willed children, each coming of age in their own right. Zoll gives a bewitching performance on the song â€œYouâ€™ll Hear A Bell,â€ which rings
as the emotional heart of the show.
Bernard and Dylan McGill, playing young lovers Rose Smith and Warren Sheffield, awkwardly continue on their own courtship while Angela Alexander Nalley as Katie and Joe Hornbaker as Grandpa Prophater interject throughout the show will well-timed comedic punches.
You wonâ€™t want to miss this seldom produced show. â€œMeet Me In St. Louisâ€ runs now through March 8th. Tickets can be purchased here.