Know Theatre“™s “œBureau of Missing Persons“ Earns 4 Star LCT Rating
Panelists for the League of Cincinnati Theatres (LCT) have recognized Know Theatre“™s Bureau of Missing Persons with a 4 Star rating. In The Bureau of
December 2, 2014
Panelists for the League of Cincinnati Theatres (LCT) have recognized Know Theatre“™s Bureau of Missing Persons with a 4 Star rating. In The Bureau of
Panelists for the League of Cincinnati Theatres (LCT) announce that “œFailure: A Love Story“ has earned 4-Stars and recognize the director, Corrie Danieley. Produced by
The League of Cincinnati Theatres announces Cincinnati Shakespeare“™s “œThe Comedy of Errors“ is a 4-Star show. “œCincinnati Shakespeare has mounted another fast-paced, thoroughly entertaining production
Panelists for the League of Cincinnati Theatres (LCT) have recognized Gion DeFrancesco for his scenic design in Miami University“™s production of Communicating Doors. Set in
Panelists for the League of Cincinnati Theatres (LCT) have awarded Untethered Theatre“™s production of All New People a 4 star recommendation. In All New People,
Panelists for the League of Cincinnati Theatres (LCT) have recognized the College Conservatory of Music Drama Department“™s Speech and Debate with a 4.5 Star Rating.
Panelists for the League of Cincinnati Theatres (LCT) have awarded The Carnegie Theater“™s production of Driving Miss Daisy with a 4.0 star recommendation. In Driving
Panelists for the League of Cincinnati Theatres (LCT) announce that “œThe Wedding Singer“ has earned 4-Stars. Produced by Northern Kentucky University Department of Theatre and
By Doug Iden Just in time for Passover and Easter, Jesus Christ Superstar opens at Northern Kentucky University. PLOT AND CHARACTERS Everyone knows the story
Like generations before–and after them–the youth of the 1960s rejected their parents’ values, creating their own styles of dress, language, and ideals.
The University of Cincinnati College-Conservatory of Music’s (CCM)production of Hair is an electric, visceral celebration of the spirit of rebellion and hope. Directed with a thoughtful hand by Vincent DeGeorge, this staging of the iconic rock musical pulses with life, protest, and communal energy—reminding us that the questions raised in 1968 haven’t lost their sting.
