Carnegie’s “Company” a Musical, Visual Treat
Review by Charles Roetting of Company: Carnegie Theatre Director Corrie Danieley kicks off The Carnegie’s 2015-2016 season with the musical COMPANY, with music and lyrics
August 17, 2015
Review by Charles Roetting of Company: Carnegie Theatre Director Corrie Danieley kicks off The Carnegie’s 2015-2016 season with the musical COMPANY, with music and lyrics
Review by Doug Iden of Company: Carnegie Theatre You“™ll be in good Company when you attend the Stephen Sondheim musical which opens the Carnegie theater schedule. This
I have been looking forward all year to see the Cincinnati Shakespeare Company“™s regional premier of One Man, Two Guv“™nors, after having seen the original
If you stick with Mad Anthony Theatre Company’s production of “Any Given Monday,” you will be amply rewarded. Overall, the show got off to a
Submitted by LCT Panelist If I’m being honest, I was skeptical walking into the Know Theatre’s production of The Handmaid’s Tale. Margaret Atwood has long
Submitted by LCT Panelist Two hardworking actors playing 21 zany characters are the comedic centerpiece of Greater Tuna. Justin Smith and Matt Wilson earn the
The League of Cincinnati Theatre (LCT) announces the Covedale Theatre“™s Plaid Tidings“ is a 4-Star Show. Special recognition goes to Steve Goers for Musical Direction
Panelists for the League of Cincinnati Theatres (LCT) have recognized Ensemble Theatre“™s production of Sleeping Beauty, ETC“™s contemporary musical twist on a beloved fairy tale,
By Doug Iden Just in time for Passover and Easter, Jesus Christ Superstar opens at Northern Kentucky University. PLOT AND CHARACTERS Everyone knows the story
Like generations before–and after them–the youth of the 1960s rejected their parents’ values, creating their own styles of dress, language, and ideals.
The University of Cincinnati College-Conservatory of Music’s (CCM)production of Hair is an electric, visceral celebration of the spirit of rebellion and hope. Directed with a thoughtful hand by Vincent DeGeorge, this staging of the iconic rock musical pulses with life, protest, and communal energy—reminding us that the questions raised in 1968 haven’t lost their sting.
