Falcon“™s Dial M For Murder Is a Mystery with Class
Review by Ken Stern of Dial M for Murder: Falcon Theatre Are the well-to-do most apt toward criminal behavior? Whether Wall Street heists or murdering
Review by Ken Stern of Dial M for Murder: Falcon Theatre Are the well-to-do most apt toward criminal behavior? Whether Wall Street heists or murdering
Review by Laurel Humes of Dial M for Murder: Falcon Theatre Falcon Theatre does a fine job with Dial M for Murder, the 1950s-era British
Review by Doug Iden of Love, Loss, and What I Wore: The Carnegie Theatre Hats off to The Carnegie Theater“™s production of Love, Loss and
Review by Dan Maloney of Love, Loss, and What I Wore: The Carnegie Ilene Beckerman“™s 1995 memoir Love, Loss, and What I Wore tells the
Review by Jack Crumley of Love, Loss, and What I Wore: The Carnegie November brings a run of Love, Loss, and What I Wore to
Review by Spenser Smith of Ma Rainey“™s Black Bottom: NKU Set in a recording studio in the 1920“™s over the course of an afternoon, a
Review by Teddy Gumbleton of A Chorus Line: CCM Musical Theatre For their first mainstage show, University of Cincinnati College-Conservatory of Music“™s Department of Musical Theatre
Review by Alan Jozwiak of Middletown: CCM The title of this article is taken from lines from Will Eno“™s play Middletown and echo the main
Keep an eye on Ghostlight, as it continues to make a mark on Cincinnati Theatre and performers.
The murder mysteries unfold quickly and tightly, inhaling the unprepared Watson hastily into Holmes’s world.
One audience member will choose to keep or abolish the Constitution each night. (On our night she chose to keep it.)