A Night of Laughs, Blood, and Horror for Cincinnati Shakespeare Companyâ€™s â€œTitus Andronicusâ€
Review by Christiana Molldrem Harkulich of â€œTitus Andronicusâ€: Cincinnati Shakespeare Company
During Shakespeareâ€™s lifetime, â€œTitus Andronicusâ€ was one of his most popular plays. Itâ€™s well known as the goriest of the Shakespearean tragedies, and the Cincinnati Shakespeare Companyâ€™s production of â€œTitus Andronicusâ€ takes up that mantle in their production that runs through November 2nd. Finely acted and costumed, Titus is a great offering for some Halloween entertainment with a Shakespearean twist this month.
The production, which is inexplicably set in a steampunk aesthetic, tells the story of Roman general Titus Andronicus (Jim Hopkins) and his victorious return to Rome after the death of the last Emperor. As the play begins, the people are deciding between the late emperorâ€™s two sons: the elder playboy Saturninus (Justin McCombs) and the younger clear-headed Bassianus (Rupert Spraul) who is also engaged to Titusâ€™s daughter Lavinia (Maggie Lou Rader). Rashly, because Titus adheres to the order of things rather than clearly thinking about them, Titus chooses Saturninus and that choice leads to all their downfalls. Titus offers Laviniaâ€™s hand in marriage to Saturninus, which upsets Lavinia, Bassianus, and all of Titusâ€™s sons. Saturninus quickly forsakes Laviniaâ€™s hand in favor of Tamora, Queen of the Goths (Miranda McGee), whom Titus had defeated and brought back to Rome as a prisoner. While it seems at first this is a play about politics, it is actually a revenge tragedy between Tamora and Titus, because Tamora has sworn revenge on Titus for killing her eldest son when they arrived in Rome despite her pleas. This one death will lead to the death of them all as Tamora and Titus avenge themselves on each other by turns. If you get confused, the whole of the plot is explained in your program, and in the many projections used throughout the show.
The Company, many of which weâ€™ve already seen on stage at CSC this season, played well as an ensemble and if the space allowed I could write about all of them. McCombsâ€™ Saturninus is a delight, and does a wonderful comedic job setting the tone for audience interactivity in the opening scenes. Miranda McGee as Tamora and Darnell Pierre Benjamin as Aaron the Moor (who is Tamoraâ€™s actual lover) are having a blast as the villains of the play. McGee uses her eyebrows and delivery to suggest all sorts of delicious innuendos; and Benjaminâ€™s gleeful direction of murder and mischief make you nearly glad to watch harm come to the Andronicus family. Jim Hopkins carries the role of Titus with gravitas and then madness believably. Maggie Lou Rader plays Lavinia with pathos and justice in her heart, and the moment where she finally names her rapists is powerful.
â€œTitus Andronicusâ€ is one of Shakespeareâ€™s early plays, and is not frequently produced in part because of all the blood and gore. While this production has a goodly amount of blood on stage, I would have expected more based on the advertising. This was less of a Tarantino blood-fest and more of a Sweeney Todd. Rainy Edwardâ€™s costume design created the world of the play, blending some Roman elements with a steampunk aesthetic to great success. The production used projections (designed by Douglas J Borntrager who also designed the sound) to create titles for the different scenes as a sort of Brechtian aesthetic. This added to the overall steampunk feel of the play but mostly, in my opinion, undermined Shakespeareâ€™s text and added to the run time. As well as projections, there were also videos that give us a visual narrative for some of the exposition and are done in a sepia-toned 1930s Newsreel style. Designed by Ryan Lewis, the videos are visually sumptuous and funny, but perhaps unnecessary. I was sad to have one of the major reveals in the play happen in a video and not on-stage.
Director Jeremy Dubin, who is also the education director for CSC, writes in his note that this is Shakespeareâ€™s horror movie. But Dubinâ€™s direction makes it clear that he thinks this is horror more in the realm of the â€œScreamâ€ or â€œScary Movieâ€ franchise, than something out of Stephen King. And despite some fine acting and staging, I think thatâ€™s to the detriment of the production. The campy aesthetic is fun, but ultimately undermines the horror of the play. When a noose appears on stage to threaten Aaron, an actor of color, it brings a different mood and color to the moment. AndÂ In a post #metoo world where Brock Turnerâ€™s victim is publishing her account, Laviniaâ€™s violent rape and struggle to name her accuser resonates closer to reality than the campy fun of the rest of the play.Â
The audience on opening night was by turns howling with laughter and shock at the events of the play. â€œTitus Andronicusâ€ is a fine night at the theatre and a great pre- or post- Halloween activity to get you in the mood for the season. Tickets are available here.