Review by Liz Eichler
Miami University Theatre’s production Hidden Motives: An Evening of One Acts brings together two thought-provoking plays that challenge our perceptions of reality while highlighting the absurdity of gender bias in a patriarchal society.
Trifles
The evening begins with Susan Glaspell’s Trifles, which explores the stark differences between men’s and women’s truths and motivations. In this 30-minute one-act, a sheriff, an investigator, and three neighbors arrive at the home of a woman whose husband was found hanged while they slept. Now imprisoned for his murder, she awaits her fate as the men search for clues. Meanwhile, the women are sent to gather a few personal items for her from the home.
Although a classic of literature, this is the first time I’ve seen Trifles performed in its entirety, as opposed to isolated acting scenes. Based on a true story, it was written as part of the first wave of feminist literature. Trifles vividly illustrates three misogynistic men who dismiss the importance of certain clues as trifles. The two women, Mrs. Peters and Mrs. Hale—though seemingly quiet and inconspicuous—recognize the clue’s significance immediately. Sloppy stitching means a her mind was not on her work. Yet, they keep their observations to themselves, finding solidarity with Mrs. Wright, the imprisoned woman. They recognize their lack of sisterhood in supporting Minnie Wright, once a bubbly girl, who became isolated at the farmhouse, far from any human connection except her cold-hearted husband. The irony is, the body was discovered by a telephone worker trying to put in a the wires to start service.
Trifles Cast
The cast delivers strong performances, particularly Megan Murphy as Mrs. Peters, the stoic neighbor who keeps her emotions in check while silently understanding the unspoken truths of the situation. Directed by Jamie Ellen Ripperger, the production flows seamlessly, maintaining a steady pace.
The atmosphere is enhanced by ethereal elements such as sound, lighting, and a projection screen at the upstage end of the narrow black-box theatre (Scenic and Projection Design by Gion DeFrancesco, Madeline Milas, Isaiah Serra, and Garland Weaver).
Three Sisters Who Aren’t Sisters is Cubist Poetry
Following Trifles, the evening takes a sharp turn into absurdism with Gertrude Stein’s Three Sisters Who Aren’t Sisters, written in 1946. The play embraces cubism, as reflected in its playful costumes (designed by Meggan Peters) and the Punchinella-style clown outfits. The cast delivers Stein’s rhythmic and repetitive lines with sharp articulation, embodying the absurd nature of the work. The “sisters” (who are not really sisters) are interrupted by two aggressive brothers (who are brothers). They engage in melodramatic games, reminiscent of childhood make-believe—like playing “cops and robbers” or creating epic stories for Barbies.
This avant-garde piece is more about movement and language than plot. Directed by Colton Wolf, it serves as a light, surreal follow-up to the heavier Trifles. The cast includes Ashley “Rickey” Ricker (very strong in her movements), Evan Long, Sara Rose Detwiler, Sophia Moore, and Eric Drees.
Unique Transition for Miami University Theatre’s One Acts
One of the most striking aspects of the evening is the transition between the two plays. Trifles uses a realistic, Western setting, complete with period props (like a pump sink and coal bin). As the actors gradually remove these items with graceful yet deliberate movements, the set transforms into a more abstract, cubist arrangement (yes, the set pieces they bring on ARE cubes)—reflecting the shift from realism. This transition, influenced by Artistic Director Ann Elizabeth Armstrong, highlights the similarities of the evening’s thematic exploration.
Overall
In total, this short (under 60-minute) evening of one-acts offers plenty of food for thought. The in-program dramaturgy (Abby Doane, Advised by Ann Elizabeth Armstrong) is rich, and includes these questions from Director Colton Wolf: How do we wield power and who becomes subjugated under it? What does it mean to literally or metaphorically “murder” someone?
Several audience members were taking notes, perhaps for class discussions. It’s refreshing to see these works being performed in an academic setting. The overarching message of the evening is clear: don’t discount someone based on gender or status. They may possess valuable insights in areas you’ve overlooked.
Ticket’s to Miami University Theatre
Trifles and Three Sisters Who Aren’t Sisters runs from March 6-9 at Miami University Theatre. For tickets, visit the Online Box Office or call 513-529-3200. Performances are held at 119 Center for Performing Arts, Oxford, OH 45056, in Studio 88.
