
Start Higher, End Higher Still: A Review of the American Legacy Theatre production of “Higher”
“Kyle’s descent into opioid addiction at the end of act one was very intense and truly compelling.”
“Kyle’s descent into opioid addiction at the end of act one was very intense and truly compelling.”
If you looked back on your life, would you make the same choices?
This weekend is a perfect time to listen to “œR.U.R.“–AI taking over our lives is a very scary story.
The play is ultimately less about the power of rock, than it is about the power we all have inside us to create and express
Underneath the outlandish costumes are some serious acting chops and wicked moves.
NKU“™s “œNoises Off“ is a “œWho’s on First“ farce, filled with dynamic and lovable characters that you’ll not want to miss.
The musical is, frankly, a lot: a lot of look, a lot of synth, a lot of meta jokes about artists, gentrification, and 40-year-old gays
Overall, this is a fun-packed musical sung and danced well with a lot of energy. The actors seem to be
enjoying their roles as
The University of Cincinnati College-Conservatory of Music’s (CCM)production of Hair is an electric, visceral celebration of the spirit of rebellion and hope. Directed with a thoughtful hand by Vincent DeGeorge, this staging of the iconic rock musical pulses with life, protest, and communal energy—reminding us that the questions raised in 1968 haven’t lost their sting.
CLP regulars, Cian Steele (Robbie), Trey Finkenstead (Sammy) and Tyler Gau (George) create the perfect trio whose lighthearted antics keep audiences enthralled in a story that they already know well.
In short, The Wedding Singer is a glittery, feel-good romp through a hairspray-filled time capsule—and this Incline Theatre production delivers it all with flair, fun, and a whole lot of love.