Do the Math and Take in Carnegie“™s Proof
Review by Jack Crumley of “œProof“: Carnegie Theatre The flow of stories from The Carnegiein Covington is going from the all-out rock-out of summer“™s “œAmerican Idiot“to
Review by Jack Crumley of “œProof“: Carnegie Theatre The flow of stories from The Carnegiein Covington is going from the all-out rock-out of summer“™s “œAmerican Idiot“to
Review by Raechel Lombardo of “The Cake”: Human Race Theatre Bekah Brunstetter“™s play “œThe Cake“ brings a new flavor to the modern-day conflict between those
Review by Nathan Top of “42nd Street”: CCM Musical theatre Based on the novel of the same name written by Bradford Ropes, University of Cincinnati’s
Review by John Woll of “The Addams Family”: Covedale Theatre They’re crazy and kooky, all right, and taking up residence just in time for Halloween at
Review by Nathan Top of “œThe Curious Incident of the Dog in the Night-Time“: CCM Acting Winner of the 2015 Tony Award for Best Play,
Review by Blair Godshall of “Three Sisters”: NKU NKU opens their second play of the season with a new translation of Anton Chekhov“™s “Three Sisters”
Review by Christiana Molldrem Harkulich of “œTitus Andronicus“: Cincinnati Shakespeare Company During Shakespeare“™s lifetime, “œTitus Andronicus“ was one of his most popular plays. It“™s well
Review by Christiana Molldrem Harkulich of “Casper: The Friendly Musical”: Cincinnati Children’s Theatre There“™s something really magical about watching theatre with children. Their wonder, joy,
While some notions of Shakespeare’s time are a thing of the past (or should be), most of his sentiments and lessons are timeless. The act of falling in love should be simple, but humans tend to overcomplicate it as we do many things. Are Beatrice and Benedick so afraid of rejection that they each spurn the other, all while concealing their growing affections?
Marian is the Robin Hood for a new day and age, and the hilarious yet monumental story jumps off the stage thanks to the stellar re-contextualization. This production aimed its arrow and hit it right on the bullseye in the strength of its performances and story.
Menglekoch as Beatrice, is someone you’d want to hang out with. She has earned social respect and is quite magnetic, despite being unmarried. Barnes’ Benedick is also witty, and he has the comedic skills to get the audience rolling. (The barrel scenes are especially funny.)